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ARTS&LEISURE

152

June15

fact, The Red Pencil is partnered with more than

45 local organisations, plus a number of overseas

programmes.

“One of our main partners is the Singapore

Red Cross (SRC). When a disaster happens in the

region, the SRC sends intervention teams, and The

Red Pencil art therapists join their rescue missions

to give psychosocial support to children and their

families,” says Laurence. “Overseas, we have

individual projects in many countries, including

Japan, China, Myanmar, India, Sri Lanka, Nepal,

Thailand, the Philippines, Cambodia, Indonesia,

Australia and New Zealand. We have relationships

with Doctors without Borders/Médecins sans

Frontières (MSF), Caritas Humanitarian Aid &

Relief Initiatives, and Art in All of Us, with whom

we organise exchanges of drawings by children all

over the world, allowing them not only to find joy

and a positive distraction in the creative process,

but also giving them a chance to make new

friendships with children elsewhere in the world.

In doing so, their minds are able to travel beyond

the walls of their hospital wards, or whatever they

are going through.”

Additionally, the organisation regularly sets

up creative workshops at museums, art fairs

and community events to promote its objectives;

the canvases created by participants at these

creative workshops are auctioned off on The Red

Pencil’s website, with 100 percent of the proceeds

benefiting the foundation, which also works to

provide scholarships, overseas training, research

opportunities and financial support for art therapy

students.

International Missions

In 2015 already, art therapy teams have travelled

to Sri Lanka to work with underprivileged kids,

teens and adults, and to West Bengal in India to

work with disadvantaged children; for this month,

missions are planned to a Burmese orphanage, a

Nepalese shelter and other projects in Thailand

and New Zealand.

When planning foreign assignments, The

Red Pencil tries, where possible, to split each

mission into three ten-day visits over the course

of nine to twelve months – sending the same

team each time in order to provide maximal long-

term and meaningful support. Central to each of

these missions is the encouragement of “visual

journalling – an art diary with sketches or mixed

media that captures inner thoughts visually rather

than verbally.

“We encourage ‘visual journalling’ as a way of continuing to take care

of oneself when The Red Pencil art therapists head to other missions,”

says Laurence. “Our hope and intention is to make visual journaling a

norm in family centres, schools, corporate organisations, prisons and

even at home.”

Also fundamental to each mission is the implementation of The Red

Pencil’s “train the trainer” programme, which educates caregivers in

the benefits of art therapy; a thorough understanding helps to ensure

that therapeutic art can continue long after the therapists have left, thus

creating what Laurence calls “a multiplier effect”.

When it comes to choosing overseas missions, Laurence says that

while it may be tough to turn down an assignment, it ultimately comes

down to the safety of her team.

“The Red Pencil is rapidly expanding, which is great. We were

recently approached to intervene in refugee camps in Lebanon, and

we are working there in partnership with one of the big humanitarian

organisations. But, of course, the safety of our art therapists is of utmost

importance,” she explains. “Therefore, our team carefully reviews each

mission before embarking on it.”

Missions planned for this year include visits to a women and children’s

refugee camp in Kurdistan, a women’s shelter in Cambodia, a school

in Lebanon and a hospital in Haiti, along with many other assignments

in Australia, Indonesia, Africa and the Middle East. A team of therapists

is also continually travelling to Nepal to work with earthquake survivors.

“In view of the dramatic circumstances in Nepal, The Red Pencil is

committed to being there for the long term to help those affected find

relief through artistic expression,” Laurence says. “We’re confident that

it will bring them healing and empowerment.”

To l e a r n mo r e a b o u t

upcoming projects, both local

and abroad, visit

facebook.com/

theredpencilfoundation.

In 2013, The Red Pencil

(Singapore) became an official

charity and was granted Institute

of Public Character status by the

Ministry of Family and Social

development, which allows a

300 percent tax rebate for any

donations made in Singapore.

redpencil.org/sg

When we rescue the

child, we save the adult