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ARTS&LEISURE

176

July14

In her upcoming retrospective,

Astrid Dahl:

Looking Back

and Look For wa r d – A

Retrospective Art Exhibition

,

Singapore-based artist ASTRID

DAHL will feature paintings from

her entire career, covering a

vast variety of expressions and

terrains – from dry Australian

deserts, tropical Thai rainforests

and Tibetan hills to seascapes

and outer space. We asked

Astrid to share some of the

inspirations behind her works,

both past and present.

How would you describe your

artistic style and creative process?

My works are scattered poetic versions

of my experience of the landscape.

They’re representations, or fragments, of

memorised parts of earth, sky and water.

The themes are pieced together in my

mind like a mosaic, and they become

a reality to me as I paint. Each piece is

unique, and reflective of my immediate

experience or mood, or a memory that’s

been recalled.

At times, I have overlaid the “life force”,

the visible and the invisible, using lines and

textured shapes among other techniques.

Right now, I’m using a lot of gold and

silver leaf, combinedwith oil paint. I love to

experiment, and often do small canvases

K

nown for her colourful,

contemporary landscape

paintings, Astrid has been

expressing herself creatively

since she was a young girl – at four,

she’d use the pigment from crushed

flowers for drawing and, at 19, she

sold her first painting. Her fascination

with landscapes began when she

first crossed the Nullarbor Plain from

Melbourne to Perth in 1980 – sparking

a series of works and giving her endless

inspiration. In her new exhibition,

Astrid – who was born in Thailand to

a Norwegian father and an English-

Thai mother, and raised in Singapore,

Malaysia and Australia – will showcase

works that span more than 45 years.

A Life in Landscapes

By Amy Greenburg

Clockwise

from left:

Networking:

Mixed media

on canvas.

A Walk in the

Park:

Mixed

media with

acrylics. "This

painting is

one of my

more recent

works, tending

more toward

abstraction.

I’m now more

comfortable

with the

‘inferred’ rather

than just what

I see, though

what I see is

still the starting

point.”

Goddess of

Water, Land

and Sky:

Mixed media

with gold leaf

and Chinese

characters.

Traces in the

Sand:

Mixed

media on

canvas. “This is

a symphony of

textures found

on the desert

floor.”