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PHILANTHROPY

137

January14

was dug up in Afghanistan. As you can

see, it’s been oxidised during its many

years under the ground, and gradually

infused with mineral traces.

I came across this trove of glass

shards and beads in Bangkok some

time ago, and the style of this necklace

is indicative of the kind of thing I’m

working on. This one is not actually part

of the collection, though; because the

pendant is set in heavy gold, it would

be too expensive to sell.

How did you go about getting

your designs made up?

Through an antique dealer friend

here, I met an Afghani jewellery dealer

who travels back and forth between

Singapore and Kabul. He told me about

a group of women in his village who did

work for him, so I handed over some

materials and kept my fingers crossed.

Sure enough, he turned up a fewmonths

later with a bag of finished jewellery.

They had done an excellent job.

I am now using a team of young girls

in Chiang Mai, mostly Burmese, who do

fine beadwork; I go to Thailand a lot, as

Paul and I are building a house there.

We’ve also found someone to make the

gold-plated clasps that finish our pieces

off perfectly.

Each necklace is individually designed

by me, and each one is different, like a

painting. I don’t want to do five of the

same thing. I love these natural stones;

I don’t want to get into anything plastic

or mass production. I could work with

wood, too, or with shell – as long as it’s

a natural material.

How does Liberty Rocks work?

It’s a business that is registered here

in Singapore. Any costs incurred come

back into the business to be reinvested,

and all the profit from each piece of

jewellery is donated

to WFF.

Working in this

way gives me the

flexibility to support

other charities, too.

Another cause

that’s dear to me

is Maiti Nepal,

which combats

human trafficking,

especially the

sexual slavery of

women and young

girls. We hold an

annual Girly Whirl,

where we get together

to collect good, gently

used designer clothing and

accessories to sell at a three-

day sale.

How have you been getting the

word out?

I’m lucky to have an interesting and

varied group of friends, each with

their own extensive circles over many

communities – Malaysian, French,

Japanese, Iranian, Indian, Norwegian,

American, English and Australian – and

they’ve all generously come on board

to help nurture this new baby of ours.

I’m starting to discover how kind

people can be. My sister-in-law Julia

Ferrero, a photographer and key support

partner, took photos of the first collection

and posted them on our Facebook site.

Several friends and businesses have

offered to sponsor coffee mornings

or wine evenings, modelled on the

Tupperware party formula.

And recently, a close friend who had

a significant birthday asked friends and

family not to buy gifts for her, but rather

to make a donation to WFF. That raised

an amazing $2,000!

What inspires you?

Colour inspires me enormously; I love

browsing through the silks in Arab Street,

putting fabrics together to see how the

combinations work. These days, mymind

is often on necklace designs – inspiration

comes from everywhere. Even at night,

colours, shapes and textures swirl

around in my head, and I have to keep a

piece of paper and a pen at my bedside

to sketch ideas as they come up.

Without meaning to, I seem to have

followed in my mother’s footsteps. She

worked as an interior decorator in New

Zealand, back in the sixties and early

seventies; and then, years later, she

opened a very successful little jewellery

business in Wellington, selling mainly

costume jewellery. Recently, she gave

me a bag of stones, including bone,

ivory and onyx that had been sitting in

her cupboard for over 30 years. That’s

just waiting to inspire me, too!

What are your goals?

Through the wonderful success of our

launch and three-day sale in November,

together with some incredibly generous

donations, we raised $14,000 – enough

to pay for 30 fistula operations.

My mission for 2014 is to continue

donating money from jewellery sales,

and also to go to Africa to find out more

about the work being done there. We

may make a small film about it: I have

a daughter who is a moviemaker in Los

Angeles, a friend who is a moviemaker

in Thailand, and a sister-in-law who is

a photographer. Wouldn’t that be a

wonderful joint effort!

Colour inspires me

enormously; I love

browsing through the

silks in Arab Street,

putting fabrics together

to see how the

combinations work

I’m starting to

discover how kind

people can be

facebook.com/libertyrocksjewelry

worldwidefistulafund.org fistulafoundation.org